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Fiercely original filmmaking from a director whose even just good enough attempt fares much better than your average blockbusters, observes Mayur Sanap. Watching an auteur filmmaker's work is to ...

Dabba Cartel’s reluctant black comedy in the body of a crime thriller starts out interestingly enough to accomplish its Narcos: Thane aspirations, notes Sukanya Verma. Renowned American jewe...

If Prakash Jha is able to transfer today’s social and political reality onto the screen, the future seasons of Aashram might just get a much-needed dose of eyeball-grabbing power, observes Dee...

Through Bob Dylan's music, lyrics, and Timothée Chalamet’s superb acting, we feel we have rubbed shoulders with greatness, even when it is full of flaws, self-doubts, warts and all, observes As...

Suzhal: The Vortex 2 is a compelling watch with a tightly woven narrative, elevated by powerful performances, notes Divya Nair. After a gap of three years, Pushkar and Gayathri's crime thriller ...

Superboys of Malegaon is a delight to watch, raves Deepa Gahlot. Today, anyone with a cell phone can make a film but passion for cinema was tougher a few years ago. When Faiza Ahmad Khan made her...

The Brutalist reaches its full potential, thanks not just to its writing and its technical brilliance but also Adrien Brody's performance, applauds Deepa Gahlot. For a filmmaker in his mid-30s to...

Mere Husband Ki Biwi collapses into an unremarkable My Best Friend's Wedding knock-off reducing a woman's worth to a catfight, observes Sukanya Verma. Between done-to-death tropes and flimsily up...

Crime Beat is engrossing enough to binge-watch, endorses Deepa Gahlot. As any true blue journalist would agree, the crime beat of a newspaper is thrilling because the chase and uncovering of crim...

There is much in Oops! Ab Kya? that continues to linger till the cliff-hanger in the final episode. And yet, there's a great deal about the show that doesn't quite come together, observes Mayur Sa...